HUEBNER IN A WALTZ...
by National Master John Tomas
The Cloverline International was the grandmaster tournament that snuck up on everybody. If you listened hard enough in January and February you might have heard rumors that Norbert Leopoldi was trying to put a major tournament together so that long-time friend International Master William Martz could pick up a GM norm. Martz had been playing some of the best chess of his life recently and believed he had better chances in a very strong tournament than in a mixed event with several weaker players.
The rumors continued. At one time or another Hort, Lombardy, Kavalek, Spassky, Petrosian, Byrne, and Bass were all thought to be playing. The tournament became a certainty in March when Martz announced it publicly at the "Put Fun Back into Chess" tourney, but the field was not set until only a couple of weeks before the April 9 start when U.S. Champion Walter Browne and GM Anatoly Lein joined another of Leopoldi's friends, GM Roman Dzindzichashvili, Martz, and his good friend, World Championship Candidate Robert Huebner, and last, but hardly least, twice-World Champion Challenger Viktor Korchnoi.
One of the major questions about the tournament was whether IM Bill Martz would get his GM norm. Although he started quite reasonably with four draws and a loss to Korchnoi, the handwriting was on the wall. For one thing, he had made nothing of two promising positions against Huebner and Lein; for another, he had already had three of his five Whites. Moreover, he was handling the tension poorly. He arrived at least an hour early for each game and spent it pacing and talking compulsively. The results showed in the second half of the tournament when Martz lost three games very badly.
The Cloverline gave Midwest players an unparalleled opportunity to observe intimately some of the world's greatest players. The impressions it left are unforgettable: Korchnoi's calmness--during his long thinks he almost seemed to stop breathing; Huebner's compulsive pacing--when his opponent was on the move he was almost never at the board; Browne's repertoire of frowns, grimaces, and shakes--at times his restless searching for the best move caused him to resemble a python attempting to hypnotize his opponent; Browne and Huebner in a post-mortem--pieces flying over the board too fast to follow; Korchnoi in post-mortem--hardly touching the pieces, talking each variation out first.
Yes, it was quite an experience.